Thursday, January 29, 2009
Response to “Children of the Screen” by Hannah Baylon
Who says that being civilized is better anyway? Since when is being civilized more refined and clever? Personally, we seemed to have degraded in the sophistication level. The human souls have depreciated. For instance, in “The Gods Must Be Crazy”, the Bushmen are not civilized in the way we define it, but their hearts are pure. They don’t even have a word in their language for guilty. When the coke bottle was introduced to them in the beginning of the movie they experienced feelings of greed, selfishness, and shame that they have never experienced before. They were truly a happy people with well-behaved children, a hard-working, cooperative, small society, love and care towards each other, and no desires for materialistic things; as such things were not available in their world. They survived on what they needed. The civilized humans, on the other hand, have developed greed along with modern inventions. Things are available to some that are not to others, causing jealousy. People wonder why there is war, hate, and murder in the world and it is exactly because of the act of trying to become civilized and trying to spread that supposed “knowledge”. Learning and expanding our knowledge is not bad, but the way we use our information is what shows our true intentions.
Thursday, January 22, 2009
The Picture of Dorian Gray
In one of the next and best scenes, Hallward comes to visit Gray. This is between the middle and the end. Hallward asks to see the portrait so Gray decides to take him up to see it. As they walk up the stairs the Egyptian cat statue is at the bottom of the stairs on the table facing them. It is almost as if the cat is watching. They enter the room where the portrait is covered in a sheet. What is interesting is that the portrait is placed in Gray’s childhood room, which is ironic because the very picture that was supposed to capture his youth is only showing his age and experiences and damage of his soul. Everything in the room is full of childhood innocence, while the portrait is the most grotesque and disturbing thing possible. It just doesn’t fit in the room. When Gray reveals the portrait to Hallward, the scene changes from black and white to color, so that every detail of every sin is shown more clearly in the picture. Hallward is appalled, yet he can still recognize the painting he made for Gray. Gray suddenly feels hatred towards Hallward, for it is him who put this curse of the portrait on him, and following Watton’s hedonistic advice, he decides to fulfill his desire for revenge and stabs Hallward to death. When he looks back at the portrait, blood forms on the hands, representing Gray’s most recent sin. He hits the light on the ceiling on accident and it swings back and forth, revealing and unrevealing the dead body with Gray standing over him. In a way this explains Gray’s life. His soul and actions are hidden by his youthful, good looks, but whenever he goes back to the portrait he is always reminded of who he really is. This is my favorite scene, because it really captures the depth and meaning of the story.
After Hallward’s death, Gray blackmails an old friend to get rid of the evidence. He then goes off to one of his dark places again, and there is his old love’s brother. He recognizes him by what the others call him and runs after him to kill him, but Gray explains that he can’t possibly have been involved with his sister or he would not look the age he is now. The brother believes him and lets him go. A woman and man explain to the brother that Gray has not aged for twenty years, and desperate to get revenge the brother follows Gray back home. Unfortunately, the brother dies by an accident, and Gray, afraid that this will also be on his portrait, decides to change his immoral ways. Gray had fallen in love with Hallward’s neice, but he told her it would be a sin to marry her. He felt that it would only make him more wicked. He went to check the painting to see if his changed ways had reverted the portrait at least a bit backwards, but when he looked at it he saw it had only gotten worse. He decided the only thing he could do was destroy it, so he pulled out the knife he used to stab Hallward and stabbed the painting in his heart. Instead of the painting becoming destroyed, Gray found that his own chest hurt and he fell on the ground dead. The painting slowly returned to the painting it was twenty years ago, and when everyone saw Gray’s corpse, it was unrecognizable and monstrous.
The movie was a story of a man who only believed in the pleasures of life. As you saw, it only brought him misfortune. Life is not about being beautiful, materialistic, and only having fun. There is much more meaning than that. There are morals that people have to follow, or guilt and hatred will overpower their souls, making them evil. People can run and hide from their wrong-doings, as Dorian Gray did through his portrait, but it will always come back to haunt you, as Gray’s portrait also did. Fulfilling your own desires is selfish, if the feelings of others are not taken into consideration. Life is not about being beautiful on the outside; it is about being beautiful on the inside.
Wednesday, January 14, 2009
Who is that Person?
These two people look like they are getting married, but it looks like an arranged marriage. The fact that they are getting married seems apparent because she is wearing a veil and he seems to be wearing something very ritualistic and proper. They look like they are of upper class because of her pearls and their clothing. They are also pictured above the whole landscape and town as if they own it all. It is also more common for upper class to have an arranged marriage compared to lower class. It also seems like an arranged marriage because when two people love each other and are about to get married they usually have looks of joy on their faces and are ecstatic on their wedding day, much unlike this couple.
The woman has a look of content. She has a slight smile and therefore seems slightly happy in an almost forced way but not too forced. She is probably partially happy because she is marrying into money. The forced part seems as if she is saying, 'I'm going to be stuck with him forever so I might as well try to look at the bright side and be happy.' She is looking at him as if trying to get some kind of response and trying to sense what he may be thinking. She is trying to be as optimistic as possible and is hoping for a good marriage. She looks content for now, but only because she doesn't know him as a person, since she is probably meeting him for the first time. In the future she will probably not be very happy.
The man does not seem to even be looking at the woman. He is looking above her and his expression seems to be, 'Let's just get this over with.' There is no smile on his face, just a look of boredom. The marriage to him appears to be a chore. It is expected of him to marry by his family and his people and so he's just doing it. He barely glances at her and seems to feel about her as if 'she'll do, I guess'. The man seems like a very dutiful person and is only doing this so he can create an heir and so on. He has no interest in her whatsoever and in the future she'll probably feel very lonely and unfulfilled. He doesn't appear to be very loving and talkative. They will probably not have a very connected relationship. Being a man, he will probably not be bothered by this, but the woman will probably suffer and maybe even have an affair. He will probably ignore his wife and she will feel as if something is wrong with her.
In the end, both will not be very happy because there is no love between them. They will probably never share each other's feelings and thoughts and their life together will always be awkward. Although they both have all the money they could ever need and want, she will learn that money cannot buy her happiness, which is what made her happy on this wedding day, the fact that she was marrying into more money.